Southern Pacific / Westwood One Presents L 89-21 - Country Club, Reseda, CA Aug. 23, 1988

Southern Pacific 

Westwood One Presents L 89-21

For broadcast the week of May15, 1989 

Recorded at:

Chuck Landis' Country Club

Reseda, CA  

August 23, 1988

01 Intro - Jim Duncan

02 Wheels on the Line

03 A Thing About You

04 A Girl Like Emmylou

05 Westwood One Presents 89-21 Break - Jim Duncan

06 Commercial - Motel 6 Tom Bodett

07 Commercial - American Express Karl Malden

08 Midnight Highway

09 New Shade of Blue

10 I Go To Pieces

11 Westwood One Presents 89-21 Break - Jim Duncan

12 Commercial - Phillips 66

13 Commercial - Teledisc Lynn Anderson

14 Honey, I Dare You

15 Don’t Let Go Of My Heart

16 Westwood One Presents 89-21 Break - Jim Duncan

17 Commercial - Manwich

18 Commercial - American Express Karl Malden

19 Commercial - Nestea

20 Dream On

21 Reno Bound

22 Westwood One Presents 89-21 Break - Jim Duncan

23 Commercial - American Express Karl Malden

24 Commercial - Motel 6 Tom Bodett

25 Pink Cadillac

26 Westwood One Presents 89-21 Outro - Jim Duncan

Run out grooves

Side One: LG·89-21-1  MDC  KM(stamp)

Side Two: LG·89-21-2  MDC  KM(stamp)

Southern Pacific was a country rock band working from 1983 to 1991, based in California, with drummer Keith Knudsen and guitarist John McFee as the core members playing on all of their four albums.  Knudsen had been in the Doobie Brothers (1974-1982), while McFee played with Van Morrison, Steve Miller, and Elvis Costello, and was a member of Clover with Huey Lewis. They were named after the railroad company (which later evolved into Sprint, the telecommunications company).

They never issued a live album, but recorded two live recordings for Westwood One, and another for DIR Broadcasting's Silver Eagle Cross Country Music Show.  The DIR show is up (as of Nov. 2021) in streaming audio for members at wolfgangs.com.

The first and second Westwood One show was recorded at the San Diego Wild Animal Park, San Diego, CA in August of 1986 (they played three shows opening for Doug Kershaw Aug. 15, 16, and 17, 1986)

This was released for syndication as LG 87-11 and also L 88-16.  Both shows are identical set lists as follows:

Reno Bound

Perfect Stranger

I Go To Pieces

A Girl Like Emmylou

Don’t Let Go Of My Heart

Road Song

Lodi

Pink Cadillac

Blueberry Wine

A Thing About You

Tulsa Time

The second was this show, at the Country Club, Reseda, August 23, 1988:

L 89-21

Wheels on the Line

A Thing About You

A Girl Like Emmylou

Midnight Highway

New Shade of Blue

I Go To Pieces

Honey, I Dare You

Don’t Let Go Of My Heart

Dream On

Reno Bound

Pink Cadillac

As usual, there was a bit of a mystery as there was no recording date mentioned for the show.

At the start of "New Shade of Blue" the singer says "This is the current single off the Zuma album." "New Shade of Blue" was released in July 1988 as the second single from the album Zuma. That gave me a probable year...and a search on newspapers.com came up with listings for a Southern Pacific show on August 23, 1988. There were no results for 1989.

As part of the search for the date of this show, I ran across an L.A. Times article from earlier in the year (Feb. 1988) where the Country Club had been "stripped of permits needed for its mix of concerts, boxing matches, and other events" by a Los Angeles city zoning officer.  

The Country Club was at 18415 Sherman Way, Reseda, CA. While the club itself faced on a retail strip, the back end of their parking lot was next to single family homes. The description of the club says, "three full bars, no age limit".  

What could go wrong, eh?

I've included the article for reference, but they clearly got their permit back in time for this show.

The upcoming shows on their ad have great diversity that week, with bands like Roxanne, singer Stan Bush (rock), Persian singer Shahrokh, Southern Pacific (country rock).  

This version digitized November 2021 from the original syndicated radio disc.  I cleaned up the tracks in Audacity.  Flac files of wavs.  You can 300 dpi scans of the cue sheet, both disc labels, and the aforementioned articles and ads.

https://mega.nz/file/2ZpxQIzZ#h1pUviFEB_t_1iXs8-LYKzxrvbOrJh7iY84yiWHAHPs

Patti Smith - 2021-10-06 Pantheon, Paris (radio FIP)

01 intro fip
02 intro patti
03 wing
04 grateful
05 in my blakean years
06 info patti
07 one too many mornings
08 people have the power

Patti Smith is in Paris for two concerts at the Grand Rex, Friday October 8 and Saturday October 9. It had been more than two years since the singer, a great Francophile, had not returned to France. A few weeks away from her 75th birthday, the rock poet keeps her energy intact in concert, and an asserted science of symbolism, as evidenced by the week she has just passed.

Great men the grateful country. And as a tall woman, Patti Smith was at the Pantheon on Thursday. The singer recorded a mini-concert there, with her daughter and son, succeeding Sting the day before, as part of Fip radio’s 50th anniversary. A magical and unique moment which will be broadcast on November 26 on the musical radio station.

For Patti Smith, it is a strong symbol, one more, of her attachment to the great French figures, to a heritage that she admires, as when she had sung in 2017 in the Notre-Dame-du-Haut chapel of Ronchamp, imagined by Le Corbusier, as part of the GéNéRiQ festival. “Me here, I want to take pictures, says the singer. I want to sing, I feel the life, I don’t feel the weight of the world and I am happy. “

This is why the singer is “overexcited” We are told, just as she is eagerly awaiting her two concerts at the Grand Rex, as she has hit the road for a few dates in the United States and Italy in recent months. While waiting to carry out another project  opening up to artists Arthur Rimbaud’s maternal farm, which she bought, in Roche in the Ardennes. For Patti Smith, France is worth more than a career. (source)

@!@

pw: mghg

 

greetings from the her(m)etic garage

8 Eyed Spy LIVE in San Francisco CA 1980

 8 Eyed Spy

Mabuhay Gardens

San Francisco CA

1980-02-09 

Soundboard @320

01. Love Split

02. Diddy Wah Diddy

03. Lazy In Love

04. Looking For Someone

05. Ran Away Dark

06. Maintaining My Cool

07. I Want Candy

08. Boy Meets Girl

09. Dead You Me

10. Frantic

11. You Twist & I Shout

Lydia Lunch - Vocals

Michael Paumgardhen - Guitar

Pat Irwin - Guitar, Saxophone

George Scott II - Bass

Jim Sclavunos - Drums, Percussion

Good Old No Wave

The Specials - Live Lyceum, London 1979

Back From The Dead...
Originally posted November 24, 2016

The Specials - Live Lyceum
December 2, 1979
London, England

FM Source @320

Lineage : FM Master
FM analogic > cassette tape > SB > wav > Adobe Audition 3 (editing/normalizing) > 

Notes : it's the 296th Lyon Tapes ...

I've recorded a lot of shows on the french radio France-Inter in the 70-80's, 

specially from "Feedback" with Bernard Lenoir as Dj.
This Specials concert was broadcasted on December 24, 1979 on France-Inter. 

I've edited (not so bad ...) Bernard Lenoir chattings during the recording.
This show was already uploaded on Dime by braggtopia (August 2005) and stayed 

1,055 days on tracker (586 times snatched) - SDB source.
Here is the FM master version ....

Set List:

01. (Dawning Of a) New Era
02. Do The Dog
03. Monkey Man
04. Concrete Jungle
05. Too Hot
06. Doesn't Make It Alright
07. Too Much Too Young
08. Guns Of Navarone
09. Little Bitch
10. A Message To You Rudy
11. Nite Club
12. Gangsters
13. Longshot Kick The Bucket
14. Skinhead Moonstomp
15. Madness
 

15 separate tracks
total time : 40'42"

Line up :
# Terry Hall - Vocals
# Neville Staples - Vocals
# Roddy Radiation - Lead Guitar
# Jerry Dammers - Organ
# Lynval Golding - Rhythym Guitar
# Horace Gentleman - Bass
# John Bradbury - Drums
# Rico Rodriguez - Trombone
# Dick Cuthell - Trumpet

Happy Thanksgiving!!

pass - fbsvw

>@<

)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)_)

Bill Bruford LIVE in Chicago IL 1979

 Bill Bruford 

Park West

Chicago IL

1979-07-27

WXRT-FM Broadcast @320

01. Hell’s Bells

02. Sample And Hold

03. Fainting In Coils

04. Forever Until Sunday

05. Joe Frazier

06. Travels With Myself - And Someone Else

07. Beelzebub

08. The Sahara Of Snow Pt 1

09. The Sahara Of Snow Pt 2

Bill Bruford - Drums, Percussion

Jeff Berlin - Bass

Dave Stewart - Keyboards

John Clark - Guitar

Creative Time Keeping

Lyle Lovett - Roxy, West Hollywood March 24, 1988 - Westwood One Presents

Lyle Lovett
Westwood One Presents and/or Live From Gilley's
Show 88-26 
For broadcast the week of June 20, 1988

Recorded at The Roxy, West Hollywood, CA March 24, 1988

01 Intro - Jim Duncan
02 If I Had A Boat  
03 If I Were The Man You Wanted 
04 L.A. County 
05 Break
06 Commercials
07 God Will 
08 This Old Porch 
09 Give Me Back My Heart
10 Break
11 Commercials
12 An Acceptable Level of Ecstasy (The Wedding Song)
13 Break
14 Commercials
15 M-O-N-E-Y
16 Stand By Your Man
17 Break
18 Commercials
19 Cowboy Man (with Larry Carlton)
20 Commercials
21 Cowboy Man (with Larry Carlton)
20 She's Hot To Go

Run out grooves:

L-88-26-1 RMZ MDC KM (stamp)
L-88-26-2 RMZ MDC KM (stamp)

While the cue sheet says Westwood One Presents, the disc labels are still "Live From Gilley's Pasadena, Texas". Jim Duncan's Intro says he's the "host of Live From Gilley's", but on the show Outro he says it's Westwood One Presents. The name varied like this from 1986 into 1988, when they finally settled down and the disc labels and announcements changed once and for all to Westwood One Presents.  

Lovett did three shows for Westwood One:

LG 87-25
L 88-26 (Roxy, L.A.) two unique tracks (Give Me Back My Heart and An Acceptable Level of Ecstasy)
L 89-26 (Roxy, L.A.) two unique tracks (Here I Am and She's No Lady)

L 88-26 and L 89-26 are sourced from the March 24, 1988 show at the Roxy in West Hollywood. 

Tracks are the same, except for two unique tracks not on the other show.

I already digitized L 89-26 and that's still here in our archives.  I almost got the 87 show on Ebay a few weeks back but I was beaten by a bid of $136.00.  Stick with the Voodoo Wagon and eventually I'll win a copy!

Tracks from this show were bootlegged on Royal Sound Music – RSM 015 SQ "The Lights Of L.A. County" in Germany in 1994.

You get a 300 dpi scan of the cue sheet, both disc labels, and a pdf of a review of the show from the local newspaper.  This version digitized from the original syndicated radio LP in November 2021.

https://mega.nz/file/yIg2xTIY#LSzVAAmsGOe-MGo_So_0DPv8Dsnx3xbNyj1ntK2PUis

Miles Davis - The 70's Lost Sessions

Back from The Dead...
Originally posted May 9, 2009 & February 2, 2014

Miles Davis - The 70's Lost Sessions

Soundboards @HQvbr

*Please Note: The dates on these recordings may not be correct*

Disc 1
Track 1: TDK Funk recorded Dec 27, 1976 (5:01)fade out
Track 2: Turn of the Century Feb 27, 1975 (15:34)
Track 3: Latin take 7 recorded May 5, 1975 (3:56)
Track 4: Latin take 6 recorded May 5, 1975 (4:41)
Track 5: Latin takes 3 & 4 recorded May 5, 1975 (4:47)
Track 6: Latin take 6 different mix recorded May 5, 1975 (4:15)
Track 7: untitled original 750505 take 2 recorded May 5, 1975 (6:15)
Track 8: untitled original 760330a take 3 recorded Mar 30, 1976 (4:50)
Track 9: untitled original 760330a take 5 recorded Mar 30, 1976) (5:27)

Personnel:
Track 1: Miles Davis (org); Pete Cosey (g, perc); Michael Henderson (el-b); Al Foster (d)
Track 2: Miles Davis (tpt, org); Sonny Fortune (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
Tracks 3 - 7: Miles Davis (tpt, org); Sam Morrison (ts); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
Tracks 8 - 9: Miles Davis (org); Sam Morrison (ss, as, fl); Mark Johnson (el-p); Pete Cosey (g, perc); Michael Henderson (el-b); Al Foster (d)

Disc 2
Track 1: Agharta Prelude pt. 2 take 14 recorded Nov. 30, 1972 (17:46)
Track 2: Agharta Prelude pt. 2 take 15 recorded Nov. 30, 1972 (9:36)
Track 3: Song of Landa take 2 recorded Mar. 30, 1976 (4:05)
Track 4: Song of Landa take 6 recorded Mar. 30, 1976 (4:48)

Personnel:
Tracks 1 & 2: Miles Davis (tpt); Carlos Garnett (ss); Cedric Lawson (keyb); Reggie Lucas (g); Khalil Balakrishna (sitar); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc); Badal Roy (tabla)
Tracks 3 & 4: Miles Davis (org); Sam Morrison (ss, as, fl); Mark Johnson (el-p); Pete Cosey (g, perc); Michael Henderson (el-b); Al Foster (d)

Notes:
Disc 1 appears to be excerpted from the album UNKNOWN SESSIONS 1973-1976 VOL. 1, released on the Kind of Blue label (KOB 002)

Disc 2 appears to be the contents of the album UNKNOWN SESSIONS 1974-1976 VOL. 2, released under the Kind of Blue label (KOB 003)


pass - fbsvw

 

Lost Sessions

David Bowie - Let's Go

                                                   *Thanks To The Original Poster

Damn....we haven't posted anything here since Saturday. I don't know about the others but this is a very busy time of the year for me. What with cobbling my children's new shoes, assembling the rhinestones for my wife's new apron, wrestling school. And besides I want a plug from "The Blog Nobody Reads" Here's a soundboard for ya Andy. See Scans.

 

pass - fbsvw

 

          JOHNNY COMBS HIS HAIR AND JOHNNY WANTS PUSSY AND CARS

Dick Heckstall-Smith - Live 1990

Dick Heckstall-Smith - Live London 1990
Soundboard @320
Out of Print

Dick Heckstall-Smith - English tenor saxophonist, educated at Dartington/Devon, studied at Cambridge University, than freelancing with Ronnie Scott, the drummer Ginger Baker. Later he played blues and blues-rock, with groups conducted by Alexis Korner (Alexis Korner's Blues Incorporated 1962-3), Graham Bond (The Graham Bond Organization 1963-7) and John Mayall (John Mayall's Bluesbreakers 1967-8) and with Jon Hiseman's Colosseum (1967-8); later he studied for a doctorate in sociology, he played with Bo Diddley, again freelancing with musicians like Jack Bruce. In his playing he is influenced by Sydney Bechet, Wardell Gray, Lester Young and other, "was one of the first musicians to commute successfully between jazz and blues-rock, at a time when such a move was less fashionable than it later became" (after Digby Fairweather). as you find it on the inner sleeve of his autobiography - what he calls a "personal history of British rhythm & blues" - Heckstall-Smith not only evokes, economically and hilariously, this period, but also illuminates it, reflecting on the "blues boom" in Britain, involving Alexis Korner, Graham Bond, Georgie Fame, John Mayall et al., it is of seminal importance both in turning its growing audience's attention to the music's American roots and in paving the way for R&B-influenced rock groups like Fleetwood Mac, the Yardbirds, the Animals and the Rolling Stones. Dick Heckstall-Smith, a very respected saxophonist, witnesses the whole of this fascinating period from its very heart.
(from CD cover)

DHS, R.I.P, is in fine form here and in good company. John Etheridge's guitar is the perfect foil for Mr. Heckstall-Smith's jazz-blues-bop blowing and the rhythm section of Rainer Glas and Joe Nay keep it all swinging along nicely. The live recording is clean and sounds as if you're in the room with them (a small room by the sound of it, lucky punters) - no overdubs or tidying up here! The music ranges from angular and restrained to full blast blowing sessions over four tunes including a great 'Woza Nasu' and 'Mongoose', with its stuttering rhythms at the start that then slides effortlessly into a free flowing session led by Mr. Etheridge, who's album this is as much as it is DHS's. DHS then climbs out of a short but dynamic drum solo with some intense and building blowing that always brings a smile to my face. A great album and a worthy one for any fan of DHS. ~N. Hodda
 

Personnel:
Dick Heckstall-Smith (Saxophones)
John Etheridge (Guitar)
Rainer Glas (Bass)
Joe Nay (Drums)

Tracks List:
1. Venerable Bede (John Etheridge) 9:00
2. Woza Nasu (Dick Heckstall-Smith) 18:43
3. Moongoose (Dick Heckstall-Smith) 13:42
4. Baire (John Etheridge) 9:23

 

London '90

Minutemen - Live In Boston 85

                                *THANKS TO THE ORIGINAL POSTER

I can't stress enough. Don't be put off cause this is an audience recording. I would never post a show that's sounds like it was recorded in another county. Besides some of our favorite artists only have audience shows to go on. I would/will only post shows that I would/will burn to a C.D. for my own personnel use. So there.  See scans

                                  MR. NARRATOR THIS IS BOB DYLAN TO ME

                                         MY STORY COULD BE HIS SONGS

***********************************************************************************

Miles Davis - Live Miramas, France 1988

Back From The Dead...
Originally posted May 22, 2014

Miles Davis  - Live Palais Paul Videl
Miramas, France

February 16, 1988

Soundboard @ flac

Runtime: 104:18

Source: Digital stereo soundboard mix
Lineage: Dsbd > Mdat > ? > cds > EAC-wav > edits > flac (level8)
Live mix and recording by Pat Murray.

This recording has been bootlegged numerously, including:
"Miles Davis Live", Delta Music 46007/8 (back cover lists “South of France", "Avignon", and "Summer of 1988")
"Miles Davis: His Last Concert in Avignon", Laserlight (covers list "July 1988 in Avignon")
"Miles Davis: Live in Avignon, 1988" (digi-pak), no date, no label

The version presented here is sourced from the Delta Music CDs which, to my ears, sound a little crisper and fuller than the Laserlight discs.

01 Intruder (9:37)
02 New Blues (Star People) (8:45)
03 One Phone Call / Street Scenes (11:23)
04 Perfect Way (4:42)
05 The Senate / Me & You (16:09)
06 Tutu (13:24)
07 Movie Star (5:37)
08 Splatch (11:35)
09 Time After Time (8:25)
10 Wayne’s Tune (10:23)
11 Full Nelson (4:13)

Miles Davis (tpt, keyb); Kenny Garrett (as, fl); Robert Irving III (synth); Adam Holzman (synth); Joe Foley McCreary (sop el-b, el-b); Darryl Jones* (el-b); Ricky Wellman (d); Rudy Bird (perc).

* This was Darryl Jones' last performance with Miles Davis.

Comment from Valleybird:
"This is the first tour mixed by Pat Murray. He uses much more artistic reverb in comparsion to Ron which let his mixes sound more spacy when listen to a recording in your living room. The room sound on the drums is from the impact Pat had on the sound... THIS SOUNDS GREAT! DO NOT MISS!"

Edited by plaz (April, 2013):
- eliminated DC offsets
- edited for continuous play (removed cd-split fade-out and fade-in)
- restored clipped peaks (dynamic range expanded by 1.87 dB)
- EQ: 0.9 dB boost centered at 180 Hz, 11 dB notch at 15,855 Hz
- balanced channels
- repaired clicks, pops, crackles and digi-glitches
- tracked and packed to flac
Seeded on Dime, April 5, 2013.
Thanks to Dime and the people that share!


pass - fbsvw

Miramas '88

^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^

2021-06-16 Rock the Casbah – Tribute to Rachid Taha ( Rio Loco Festival, Toulouse)

 I remember my first experience with Rachid listening to this song

thinking "Damned, this is so great, but why it sounds so familiar?" Surprising answer: It's Steve Hillage cowriting and producing this legendary artist (you maybe have to live in France to understand ...). 

 

This wonderful show is just crazy and offers ie. Sapho as guest. Enjoy the party!

 

The Mexican Army & Guests

01 Tight instr + Nokta (feat. Hakim Hamadouche)

02 H'Asbu-Hum (feat. Hakim Hamadouche & Sofiane Belaid)

03 Meftuh‘ (feat. Sofiane Saidi)

04 La Ha la (feat. Sofiane Saidi)

05 Ansit (feat. Samira Brahmia)

06 Ya Rayah (feat. Sofiane Saidi)

07 Indie (feat. Bruno Maman & Flavia Coelho)

08 Bent Sahra (feat. Samira Brahmia)

09 Je suis Africain (feat. Julien Jacob)

10 Ecoute-moi Camerade (feat.Bruno Maman & Samira Brahmia)

11 Voilà Voilà (feat. Julien Jacob & Sapho)

12 Barra Barra (feat. Sofiane Saidi)

13 Rock The Casbah (feat. Sofiane Belaid)

14 Garab (Collective)

 @!@

pw: mghg

cheers from the her(m)etic garage

 

Bo Diddley LIVE in Amsterdam NL 1982

 Bo Diddley

The Paradiso

Amsterdam NL 

1982-05-24 

FM Broadcast @320

01. Road Runner

02. Mona

03. I'm a man

04. Diddley Daddy

05. Who do you love?

06. Cherry pie

07. Little girl

08. Hey! Bo Diddley

Bo Knows Better

The Milk Carton Kids - 2021-04 Club Troubadour in West Hollywood

01 Hope Of A Lifetime

02 Ash & Clay

03 Years Gone By

04 Honey

05 Broken Headlights

06 Charlie

07 Charlie ctd

08 Undress the World

09 There By Your Side

10 New York

11 Snake Eyes

12 Michigan

13 I Still Want A Little More

@!@

pw: mghg

 

greetings from the her(m)etic garage

 

Bugs - Infinite Syndrome -1997

Back from the Dead...
Originally posted August 11, 2015

...and now another left turn!

 Bugs - Infinite Syndrome -1997 

Studio Recordings @128

{Out of Print}

The music is deep and sometimes a little darker than the downtempo music that many people like. If you like bands like Portishead, Hooverphonic or Goldie this will probably interest you. Check out "Superscience" and "Filed Under X".  Quality production makes these smooth electronic tracks noteworthy. The different vocalists on the album also add quite a bit. Some of them bring a soulful feel to the music, and all help keep the music interesting.

I pulled this from Use Net aka "Newsgroups" in 1997 long before there were any "blogs".

1. Intro
2. About You
3. Let Go [Bugs Remix]
4. Superscience [In the Dark Mix]
5. Broken
6. The Oracle
7. Intermission
8. Top Buzzer
9. Wrapped Up
10. Filed Under X
11. You and I
12. Bugs Theme (The Sequel)

Download includes the 'Both Feet In It' EP!

 

pass - fbsvw

{}{}

Hagar, Schon, Aaronson, Shrieve (HSAS Band) Westwood One In Concert 84-24

Hagar, Schon, Aaronson, Shrieve (HSAS Band)
Westwood One In Concert 84-24
Airs 11/9 - 11/11   (1984)
01 Westwood One In Concert 84-24 Intro - Phil Hendrie
02 Commercial - Budweiser (in the style of X's "Wild Thing")
03 Westwood One In Concert 84-24 Intro 2 - Phil Hendrie
04 Missing You
05 Top Of The Rock
06 Movin' In For The Kill ***
07 Commercial - Levi's 501 Jeans
08 Commercial - Budweiser
09 Westwood One In Concert 84-24 Break - Phil Hendrie
10 Hot and Dirty
11 Tough Enough ***
12 He Will Understand
13 Eyes of Love ***
14 Commercial - Budweiser (Dexy's Midnight Runners)
15 Commercial - Levi's 501 Jeans
16 Commercial - U.S. Navy
17 Westwood One In Concert 84-24 Break - Phil Hendrie
18 Animation
19 Valley of the Kings / Giza
20 My Home Town
21 Commercial - Levi's 501 Jeans
22 Commercial - Budweiser (Ronnie Dio)
23 Westwood One In Concert 84-24 Break - Phil Hendrie
24 Hope and Fear ***
25 A Whiter Shade of Pale
26 Commercial - U.S. Navy
27 Commercial - Levi's 501 Jeans
28 Westwood One In Concert 84-24 Break - Phil Hendrie
29 Ever Since You Came ***
30 What Will Never Be ***
31 Westwood One In Concert 84-24 Outro - Phil Hendrie
32 Westwood One In Concert 84-24 Promo Spot - Phil Hendrie
*** Not on the Through The Fire LP

Run out:
IC 84-24•A  JS KM(stamp)
IC 84-24•B  JS KM(stamp)
IC 84-24•C  JS KM(stamp)
IC 84-24•D  JS KM(stamp)

https://mega.nz/file/edAHBQjQ#Xi4q4MEn9PwS84nZaFuJ3c5RRUhHGHKi58tTfjxnsRw
This version digitized November 2021.  Flac files of wavs.  Includes 300 dpi scans of disc labels and cue sheet, a backstage pass from one of the shows, and a scan of a concert t-shirt I saw on Ebay.  Plus...newspaper clippings!

I was inspired to get to work on this show by the posting of a vinyl rip of the original LP over on the ROCK ON VINYL blog.  I'd already digitized the syndicated radio discs, but hadn't started on chaptering and declicking.  Reading AussieRock's post on HSAS, I was inspired.  So, we're going to do a blog cross-over here; I'm sending AussieRock the files of this show, and we're both going to post it at the same time.  Or SORT OF the same time, as he's in another hemisphere on the other side of the International Date Line, and punctuality was never one of my strong points.

Anyway...go visit http://rockonvinyl.blogspot.com/ to check out his digitization of the original HSAS LP, and while you're there, give AussieRock a big "hello" from his pal over here at the Voodoo Wagon.  

-----
While I'm a Bay Area guy, and was familiar with the players, I had no memory of this band. They were a "blink and you missed them" phenomena. 

Hagar, Schon, Aaronson, Shrieve was a short-lived band (late '83 to mid '84) comprised of Kenny Aaronson (bass for Rick Derringer, Billy Squire, Foghat, et al), Michael Shrieve (Santana), Neal Schon (lead guitar for Journey), and Sammy Hagar (vocalist from Montrose).  They rehearsed for a few weeks and then recorded their only album by taping live performances at several Bay Area concerts. The shows and merchandise profits were given to local schools music and arts programs to make up for money lost due to Prop. 13.  For you non-Californians, Prop. 13 limited the annual increase in property taxes to 2% of the assessed value.

The LP's back cover says, "This album was recorded live by the Westwood One Mobile Facility November 9-21, 1983 with additional overdubs at Fantasy Studios, December 1983."
Both SetLists.com and a "merch" T-shirt (scans included) sold at the shows by Bill Graham Productions lists the following shows during that period:
November 10, 1983 Warfield Theatre, San Francisco, CA
November 11, 1983 Warfield Theatre, San Francisco, CA
November 12, 1983 Warfield Theatre, San Francisco, CA
November 14, 1983  San Jose Civic Auditorium, San Jose, CA
November 15, 1983  San Jose Civic Auditorium, San Jose, CA
November 16, 1983  San Jose Civic Auditorium, San Jose, CA
November 20, 1983  Marin Civic Center, San Rafael, CA
November 21, 1983  Marin Civic Center, San Rafael, CA

From an interview in Classic Rock magazine with Kenny Aaronson: "So we recorded two shows and we played I believe, three shows. One was at the Warfield, a club in San Francisco, and then one was in Marin County and then one was in San Jose. I believe we used most of the San Jose show, if not all of it. You know, we threw it together. We wrote it in about a week and we rehearsed for a week and then we went and we played. That was that. Then Sam left me in the studio to mix everything. Well, they had the idea to do it like that and then do this longform video for MTV. So what happened was that, if you remember, the record -- except for one tune -- doesn’t have an audience on it. Well, that’s because it was a soundcheck. Because none of the shows were really up to par for putting out as a performance.
So as a safety net, we recorded soundchecks and most of that record, I believe, is [from] soundchecks. There’s that one track that’s got the audience on it and that is really live. [We] had to record the soundchecks just so [we] could have a safety net."

He's clearly wrong on the number of shows played, but he establishes that the LP's performances are from the soundchecks, not the actual concerts.  Both of the San Jose shows were taped for MTV.  Parts of the MTV video are on YouTube, and some of the performances seem to match this Westwood One show.  At the end of "Movin' In For The Kill" Sammy Hagar says "All right San Jose!" so some of the WW1 tracks are from the San Jose Civic Auditorium.  

There may have been a few additional shows played, too, as a "tweet" from Sammy Hagar in 2020 mentioned that HSAS also played in Stockton and Sacramento.

Geographical note:  The Marin Civic Center is 22 miles (33km) north of the Warfield Theatre, and the San Jose Civic Auditoriau 52 miles (78 kim) south, so it's not much of a "tour."'

I included newspaper clippings from several local newspapers.  Of note is Phillip Elwood's tart review of one of the Warfield shows.  Mr. Elwood's speciality was jazz. He was a jazz disc jockey from 1952 through 1996, taught the history of jazz at a local college...but also wrote about pop and rock.  As such, everyone knew Elwood's heart wasn't in hard rock, and that came through in many of his reviews.  In this one, Mr. Elwood takes Mr. Hagar to task for profanity from the stage.  I'm not that thin-skinned, but on this live show, Mr. Hagar gets  a "sh*t" past the censors in "Movin' In For The Kill," and in "Tough Enough," he drops the "F word". Westwood One bleeps profanity, so it's noteworthy.

Advertising note:  the Budweiser commercial done in the style of L.A. punk band X is, for my money...the best Budweiser commercial, ever.  

Sheryl Crow / The Warfield, San Francisco, CA Oct. 24, 1994 KFOG-FM

Sheryl Crow
The Warfield
San Francisco, CA
October 24, 1994
KFOG-FM
digitized from master copy of the cassette

01. KFOG Intro
02. Reach Around Jerk
03. Can't Cry Anymore
04. Love Is A Good Thing
05. Leaving Las Vegas
06. Run Baby Run
07. On The Outside
08. The Na Na Song
09. Strong Enough
10. Rodeo
11. I Feel Happy
12. All I Wanna Do
13. I Shall Believe

I still have master copies of shows I recorded off the air that haven't been posted yet...I'm getting to the shows I recorded as "trade bait" back in the day when we still sent lists through the mail to other live music enthusiasts.  So...here's one for you that's new to Voodoo Wagon.

https://mega.nz/file/ndp2zSBI#RFCPeIAVDWsrWugm-xn46RI7OissNirisYuNEl4Pwg0

The Specials - Live London, UK. 1979

Back from The Dead...
Originally posted October 12, 2016

The Specials - Live Paris Theatre

BBC In Concert

December 15, 1979

London, UK

FM Source @192

*&*

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Derek Trucks Band - Wendell State Forest 2000

Derek Trucks Band - Wendell State Forest 

Ho-Down 2000

July 8, 2000
Wendell, MA.

Soundboard @flac

 

SDB > DAT (16 bit, 48.0 kHz)
DAT (c) > Fostex D-5 > (custom AES > s/pdif digital cable) > Roland R-44 > WAV > Sound Forge Pro 10.0 (fades, normalize, resample to 44.1 kHz) > CD Wave Editor > Trader's Little Helper > FLAC

Notes:
DAT (c) used in the DAT > WAV > FLAC transfer provided by John Curatolo
Edited, transfered and uploaded by Paul deLima (April 26, 2012)

 

 

Set List:

01 Introduction > Rastaman Chant
02 Good Morning Little Schoolgirl
03 Egg 15 >
04 Drums > Egg 15
05 Ain't That Lovin' You
06 Younk Funk
07 Preachin' Blues
08 Everything Is Everything
09 Afro Blue
10 Yonrico Scott
11 Band Intros
12 Traveling South
13 Chicken
14 Drums > Yield Not To Temptation
15 Encore Break > Band Intros
16 You're So Unique*

*With Peter Prince on vocals

Thanks to the taper & archive.org

 VBR

Flac

The Specials - 2011-10-14 - Manchester Apollo, Manchester, England (SBD)[MP3-320]---A+

 

The Specials - 2011-10-14 - Manchester Apollo, Manchester, England (SBD)[MP3-320]---A+
https://mega.nz/file/lwxEGYyb#1ikPXCmGzEDqCu4rsgJL8Cf_F4u3kSu6dhKrd7lrLYg

 
1. Gangsters 
2. Do The Dog 
3. Dawning Of A New Era 
4. It's Up To You 
5. Monkey Man 
6. Blank Expression 
7. Too Hot 
8. Doesn't Make It Alright 
9. Rat Race 
10. Hey Little Rich Girl 
11. Stupid Marriage 
12. Concrete Jungle 
13. International Jet Set 
14. Friday Night Saturday Morning 
15. Do Nothing 
16. Stereotype 
17. Man At C&A 
18. A Message To You 
19. Nite Klub 
20. Too Much Too Young 
21. Enjoy Yourself 
22. Ghost Town 
23. Little Bitch 
24. You're Wondering Now 

# Namaste (Where did you get that blank expression on your face?)