ROIO: audio and/or video recording of a performance that was not officially released by the artist, or under other legal authority. Soundboards, Quality Audience Recordings, FM Broadcasts, Concert Videos and Out of Print Recordings.
Tuesday, July 23, 2024
Chick Corea Elektric Band LIVE in Tokyo Japan 1992
Sunday, June 18, 2023
Charles Mingus Sextet LIVE in Copenhagen Denmark 1964
Friday, March 3, 2023
Miles Davis LIVE in Rotterdam NL 1969
Friday, January 20, 2023
The Powdered Rhino Horns - Blow Job (Doorway To A Rhino's World) - 1994
Studio soundboard recordings @128
Back in the late 90's one of the first digital music sites E-Music opened up. For $5 a month you could download an UNLIMITED amount of music of independent and lesser known artists. Needless to say I acquired quiet a bit of music unknown to me. All music was a max bitrate of 128kbps. Lots of electro, jazz, experimental, compilation and ambient recordings were made available. Here today is a electro/jazz recording by The Powdered Rhino Horns!
Track List:
Alto Saxophone, Baritone Saxophone, Clarinet, Harmonica, Recorder – Catherine Shrubshall
Bass Guitar – John Fortis
Flute, Tenor Saxophone, Soprano Saxophone, Shakuhachi – Peter Shrubshall
Guitar, Keyboards, Programmed By – Tony Colman
Trombone – Mike Kearsey
Trumpet – Byron Wallen
Vocals – Jennifer Stancliffe, Nicola Bright-Thomas, Sam Edwards
Saturday, December 31, 2022
Sonny Sharrock and Nicky Skopelitis LIVE in NYC NY 1991
Thursday, December 22, 2022
Allen Toussaint & Marc Ribot LIVE in Antwerp Belgium 2011
Monday, December 12, 2022
Stanley Clarke and Hiromi - Live North Sea Jazz Festival 2010
Back From The Dead...
Originally posted May 28, 2014
Saturday, November 19, 2022
Shorter, Hancock, Roney, Carter & Williams LIVE in Lugano Switzerland 1992
Monday, October 17, 2022
Sun Ra & His Arkestra 1971-xx-xx Tour Rehearsal Session Unknown Studio NYC NY
Thursday, September 22, 2022
Kazumi Watanabe LIVE in Tokyo Japan 2016
Friday, August 5, 2022
Sonny Sharrock LIVE in Bremen Germany 1990
Saturday, July 2, 2022
Elvin Jones Jazz Machine LIVE in Lugano Switzerland 1999
Saturday, June 18, 2022
Al Foster Quartet - Village Vanguard 2008
Back From The Dead...
Originally posted June 9, 2009
New York, NY
May 21, 2008
FM Source @320
Al Foster (born January 18, 1944 in Richmond, Virginia) is a jazz drummer "... for what I wanted in a drummer, Al Foster had all of it."- Miles Davis. The master drummer has been a major innovator in the world of jazz for several decades. As a member of the Miles Davis band from 1972 to 1985, Foster's contribution to Davis' music is articulated by Davis himself in his 1989 autobiography, Miles: The Autobiography, where Davis describes the first time he heard Foster play live in 1972 at the Cellar Club on 95th Street in Manhattan: 'He [Foster] knocked me out because he had such a groove and he would just lay it right in there. That was the kind of thing I was looking for. AI could set it up for everybody else to play off and just keep the groove going forever." Its noteworthy that Foster played with Miles' large funk fusion group in the 70s, was one of the few people to have contact with Miles during his retirement, and was also part of his in the 80s. He was the only musician to play in Miles' band for both periods.
Setlist
So What
The Chief*
Peace
Take the A Train
Cantaloupe Island
Brandyn*
Jean Pierre
*Foster's compositions
Thursday, May 26, 2022
John Handy Quintet LIVE in San Francisco CA 1997
Monday, May 16, 2022
Larry Coryell And The Eleventh House LIVE in Wallingford CT 1973
Wednesday, December 29, 2021
The Great Quartet LIVE in Chicago IL 1982
Thursday, September 30, 2021
Weather Report LIVE in Austria 1971
Monday, October 26, 2020
Don Cherry - Radio Sessions 1965-1971
Back From The Dead...
Originally posted April 21, 2009 and October 11, 2015
Sessions 1965-1971
Don (Donald Eugene) Cherry (November 18, 1936 – October 19, 1995) was an innovative jazz trumpeter whose career began with a long association with saxophonist Ornette Coleman, and who would go on to live and work with a wide variety of musicians in many parts of the world. Cherry incorporated influences of Middle Eastern, traditional African, and Indian music into his playing
Other playing opportunities in his career came with Carla Bley's Escalator Over The Hill project and recordings with Lou Reed, Ian Dury, Rip Rig & Panic and Sun Ra.
Don Cherry was closely associated with the Pocket trumpet, a smaller version of the regular trumpet. Closer to a cornet, the pocket trumpet helped Cherry produce his distinct sound as well as allowing him to "smear" notes due to its idiosyncratic slotting. He often spoke about changing horns and mouthpiece sizes to constantly keep him in unfamiliar territory when playing and aiding in the avoidance of cliches.
These recordings are probably not for the casual jazz fan. This is NOT the smooth jazz you hear on the radio or while visiting the dentist.
Don Cherry & Opportunity
Danish Radio Studios, Copenhagen 1971-05-21
1. Ying Yang
2. The Whole World Catalogue
3. The Celestial Reflection
Don Cherry: cornet, piano, vocals, shells, percussion
Erik Tenzier, Lars Taageby & Niels Riskjaer: trumpets
Erling Kroner & Kjeld Ipsen: trombones
Michael Hove: alto sax
Knud Bjørnøe, Jesper Nihau & Jesper Thilo: tenor saxes
Flemming Madsen: baritone sax
Torben Munch: guitar
Kasper Winding, Bent Clausen & Claus Nordby: drums
Bo Stief: bass
Thomas Clausen: keyboards
Palle Mikkelborg: conductor
Terry Riley with Don Cherry
Studio session for "Tambourinen", Copenhagen, September 1970
4. untitled I
5. untitled II
6. untitled III
Terry Riley: soprano sax on I & III, organ on II
Don Cherry: pocket trumpet, wood drum on II
Knud Bjørnøe: flute on I & II, drum on III
Jesper Zeuthen: soprano sax on I, tenor sax & tambourine on II, wooden flute on III
Poul Ehlers: bass on I & II, cello on III
Cherry and Riley had met in Sweden a few days earlier, and Riley invited Cherry along for this session. Apart from a short rehearsal the night before it was the first time they played together. The session took place in complete darkness, the musicians seated in a circle on the studio floor
Don Cherry Quartet
Studio Session, Stockholm, September 1965
7. Elephantasy
8. O.C.
9. The Salad Of The Bad Young Man
Don Cherry: cornet
Brian Trentham: trombone
Cameron Brown: bass
Al Heath: drums
Kwame Ajucu (or Ojukwu): alto sax on Elephantasy
pw - fbsvw
FM > reels > Revox A-77 > Soundblaster AWE-64 > CDR > EAC > FLAC>MP3
Opportunity session is stereo. Riley and the quartet are mono
Transferred by Mr. Grumpy
Scandinavian Sessions
Tuesday, October 20, 2020
John Handy - Live At The Monterey Jazz Festival -1965
Originally posted September 30, 2012
Recording Date September 18, 1965
John Handy's performance at the 1965 Monterey Jazz Festival was a sensation and arguably the high point of his career. The altoist, using a quintet that included violinist Michael White, guitarist Jerry Hahn, bassist Don Thompson, and drummer Terry Clarke (all of whom were young unknowns at the time), played two lengthy songs: the 27-minute "If Only We Knew" and "Spanish Lady," which lasts a mere 19 and a half minutes. After a brief theme, "If Only We Knew" mostly features unaccompanied solos. Handy's opening statement immediately quieted the crowd, which was amazed by the altoist's courage and the logic of the advanced yet tonal music. "Spanish Lady" also has a long Handy statement and builds up to a very exciting conclusion. Even over three decades later, the music sounds fresh, colorful, and innovative. ~Scott Yanow
One
of the greatest live performances ever, it belongs in every jazz
lover's library. I was lucky enough to be there, and heard the group,
then unheralded, perform that day. This recording captures the spirit
of the music perfectly. It presages many later developments in music,
fusion, complex multilayered rhythms, and is a stunning performance! ~R. Ornstein
Terry Clarke - Guitar (Electric)
John Handy - Sax (Alto)
Don Thompson - Bass (Acoustic)
Michael White - Violin (Electric)
Track List:
1 If Only We Knew Handy 26:58
2 Spanish Lady Handy 19:34
Monterey '65
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Wednesday, April 1, 2020
Freddie Hubbard - Redondo Beach, CA. 1983
Freddie Hubbard died on Monday (December 29, 2008) at Sherman Oaks Hospital as a result of a heart attack suffered in late November. He was 70.
In memory of the trumpeter, here’s a Freddie Hubbard show from 1983.
Performed on New Year’s Eve 1983.
Disc 1
Track 101: radio announcer 1:31 (2.0MB)
Track 102: The Night Has A Thousand Eyes 14:46 (20.7MB)
Track 103: Misty 9:43 (13.3MB)
Track 104: Freddie talks and radio announcer (set break) 1:25 (1.9MB)
Track 105: last moments of 1983 (Freddie talks and crowd cheering) and
Auld Lang Syne 3:24 (4.6MB)
Track 106: Super Blue 14:08 (19.8MB)
Track 107: Freddie talks :57 (1.3MB)
Track 108: My Funny Valentine 9:40 (13.2MB)
Track 109: announcer :17 (another set break) (402k)
Track 110: announcer and Howard Rumsey talks (owner of venue) 2:03 (605k)
Disc 2
Track 201: announcer introduction final set :25 (605k)
Track 202: One Of Another Kind 16:09 (22.7MB)
Track 203: Freddie talks 3:48 (5.2MB)
Track 204: Up Jumps Spring 13:46 (19.3MB)
Track 205: Freddie talks (band introductions) 3:12 (4.4MB)
Track 206: announcer closing credits (over Auld Lang Syne) 3:51 (5.3MB)
Freddie Hubbard Quintet
Freddie Hubbard - trumpet and flugelhorn
Bob Shepherd - reeds
Billy Childs - piano
Herbie Lewis - bass
Steve Houghton - drums (formerly with Gary Burton group)
and a few guests in parts
Benard Ighner
Ray Armando - percussion
Freddie Hubbard R.I.P.
(April 7, 1938 - December 29, 2008)























